(Re)construction (I), by Alexeï Kawolski

(Re)construction (I)

by Alexeï Kawolski

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Marshall Lochbaum If it weren't for the unnatural precision and cleanliness, I might think this album was produced by throwing things at a garbage can with a microphone inside. Was the forecast for electronic music or golf-ball-sized hail? Favorite track: Ogr 2.

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Full Digital Discography

28

releases

Get all 28 Alexeï Kawolski releases available on Bandcamp and save 85%.

Includes unlimited streaming via the free Bandcamp app, plus high-quality downloads of Namsan Sool Club, Ruption, We used to dance, Aftermath, Collision, Politics EP, (Re)construction (1,2,3), My DC offset fields, and 20 more. , and , .

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1.	Raskol 00:09	buy track
2.	Hypnose 04:09	buy track
3.	Ogr 2 02:30	buy track
4.	Extraction pt1 04:25	buy track
5.	Syrie 2013 00:59	buy track
6.	Erosion 03:33	buy track
7.	A4x3 03:32	buy track
8.	Motor spasm 07:15	buy track
9.	Passage_1 04:38	buy track
10.	Exosqueleton 01:51	buy track
11.	Rorqual 02:56	buy track

about

Musique électronique analogique et numérique, musique concrète.
Album triptyque composé à l'été 2013 à Montréal et sur une plage de la Côte-Nord.

CD1

"There’s a wonderful violence to his deconstruction of forms and genres, as if he simultaneously loves his machines, but is beating on them like a frustrated deity. "
acloserlisten.com/2013/12/07/alexei-kawolski-reconstruction-123/

"Typiquement avant-gardiste, dans la plus pure définition de ce qu’est la musique actuelle et contemporaine, Kawolski produit un genre d’électro-acoustique qui ne se veut exploratoire à souhait."
boulimiquedemusique.blogspot.ca/2014/03/retrospective-musicale-2013-musique.html

credits

released November 19, 2013

Alexeï Kawolski © Kalmar A Label 2013

Composition, performance, enregistrement, mixage et mastering destructif: Alexis Langevin-Tétrault
Foley: Alexis Langevin-Tétrault, Lucas Paris et Nicolas Diab.

Merci à Patrick St-Denis du secteur électro-acoustique de l'université de Montréal pour m'avoir donné accès à un studio et du matériel pour la prise de son.
Merci à Lucas Paris pour son support, ses conseils et pour les séances de travail sur nos synthétiseurs modulaires. Surveillez notre projet BetaFeed!

Je remercie MP73, ma famille, Simon-Pierre Gérard, Pierre-Luc Lecours et Myriam Boucher pour leur présence et leur appui.

Et merci à vous!

Visuel: Philipp Otto Runge, 1810

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Alexeï Kawolski Montréal, Québec

Finding beauty in darkness

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